Friday, July 31, 2009
Not unlike other jewelry artists, Salazar is unafraid to create jewelry on her terms, bringing innate knowledge and every form of inspiration to her lovely designer jewelry creations.
She fearlessly explores unusual combinations like mixing alloy with fabric, integrating cut, colored glass with metal instead of semi-precious or precious gemstones, or fashioning a sea urchin shell into a 24-karat gold-covered pendant.
A graduate of Mexico City's Instituto Nacional de Bellas Artes' Craftwork School, Salazar's keen attention to contrasts--light with dark, high polish with texture, and combining different shapes and colors--is a focal point of her designs. Her fashion jewelry pieces are elegant yet simultaneously bold and colorful, and she makes a conventional design her own.
Her array of materials include, among others, African beads, resin, 24-karat gold plating, satin thread, brass, and sterling silver. With some of her pendants featuring semi-precious gemstones, such as her Ainan Jade Pendant, Salazar adds a signature touch by accentuating the chain suspending the gemstone with three, smaller stones: ruby, garnet, and amethyst.
Firmly holding to the belief of a positive higher realm, she uses her creative gifts to inspire and uplift. Widely seen as a symbol of death or evil, the skull motif also symbolizes life and consciousness.
Salazar's take on this symbol is beautifully distinctive. She fashions the skull from golden brass shaping it into a mask-like pendant, overlaying it with a printed pattern and adding dangling, white pearls within the eye areas. She also creates engraved, posie-type rings and bracelet with uplifting, carved out messages.
Her bold colored, hand-woven Caña Flecha Bracelets, made with satin thread and sterling silver clasps, pay homage to her Colombian roots and artisanship.
In Colombia, the leaves of the Caña Flecha palm tree are used to create such items as handbags, hats, and baskets. Before the leaves are color-dyed and fashioned into these items, artisans dry them in the sun and the fibers are divided into different sized strips.
Salazar's vibrant yet refined pieces are sold around the world including Puerto Rico, Japan, Australia, the Dominican Republic, Spain, Mexico, and the United States.
Photo 1 (top right): 24-Karat Gold Plated Bay Leaf Necklace with Ladybug Clasp
Photo 2 (bottom left): The Love Bracelet with African Beads, Pearls, Quartz, Acrylic, Resin, and 24-karat Gold Plated Brass Heart
Thursday, July 30, 2009
I am at a loss for words. I observe photos of a different designer's jewelry every day, and I react to what I see. Sometimes it is difficult to put my reactions into words, because I don't respond the same. I feel my reactions are largely due to a type of nuance quality the jewelry possesses, if that makes sense.
It is as though a part of the designer becomes a physical by-product of the jewelry items. Heinrich's designer jewelry is no exception. The only word that keeps coming to my mind is beautiful, but there is also this intangible or nuanced quality about the jewelry that I struggle to pinpoint. She works primarily with 18-karat yellow gold, and her designs carry an ancient, primordial ambiance that wraps around her fine jewelry collections.
Raised on a farm with grape vineyards, Heinrich spent her childhood embracing nature. She spent hours exploring her family's property collecting broken glass, snail shells, and pods, which she strung together with dried, dyed noodles; creating her very first necklace. Heinrich's organic approach to creating jewelry so early in life set the stage for what would come, "I've wanted to make jewelry from the cradle," she acknowledges.
During her early adult years, Heinrich paved an impressive road that lead to a career in jewelry design and jewelry making. Heinrich's parents enrolled her in Pestalozzi Kinderdorf Wahlwies' four-year apprentice program located in tranquil Lake Constance, Germany. Here she learned to hone her spiritual approach to jewelry making.
"The flow of communication between you, the piece, and the peace should be constant," she reveals. "I let the piece tell me how to build it." Once she completed the program, she took her second apprenticeship at Pforzheim Academy earning two scholarships, and a Masters of Fine Arts in jewelry and hollowware (silverware and serving dishes). Next, Heinrich would travel to New York to study at the Rochester Institute of Technology (RIT), and earned a second Masters of Fine Arts.
While attending RIT, she met and married her husband, Gregory, and three years later established her studio in their home. Pulling from a 26-year educational base that includes goldsmithing, Heinrich initially created anodized aluminum pieces; she then changed gears choosing to design classic, gold jewelry using pumice, wire brushes, and sandpaper to achieve polishing effects.
She not only excels in her manipulation of gold, but she highlights multi-gemstone pieces featuring exquisite color combinations such as watermelon tourmaline, emerald, ruby, orange Mexican fire opal, iridescent opals, and purple amethyst.
Heinrich is also a shrewd businessperson; conducting business meetings with galleries across the United States interested in exhibiting her expensive pieces, as well as gathering the work force to meet their demands. "A strong partnership with individual galleries has contributed immensely to our success. Because we understand their specific needs and circumstances, we are able to meet their needs," she explains.
"Currently we have jewelers from India, Korea, Taiwan, and America. I invite them to just add as much know-how as they can while they're here and then they can go fly and do something great. I'm proud of that whole teaching process--professional training, gallery skills, and exposure to trade shows--because young people need opportunities and this studio has been a place for that."
Heinrich has given much thought to factors that contribute to ongoing success. "I want to be able to pay my employees well, give them benefits and still be able to make a salary. Success means building a studio team, where everyone's abilities create a synergy with a positive dynamic."
Ultimately however, success to Heinrich rests in creating pieces that speak to the wearer and enhances "the beauty and nobility present in all people," therein causing her pieces to become a "visual language. When the ideas come across for a particular piece and a certain idea gels and everything is right--that is success to me."
Photo 1 (top right): 18-Karat Hammered Gold Petal Brooch with Freshwater Pearls and Bezel Set Diamonds
Photo 2 (bottom left): 18-Karat Yellow Gold Leaf Cuff with 40 Scattered Surface Set Diamonds
Wednesday, July 29, 2009
Wang's remarkable artistic vision manifests into fantastic designer jewelry that is as amazing as it is beautiful.
Since 1993, the Korean-born jewelry artist has lived in the United States of America and before making the U.S. her home, she actively pursued more knowledge in jewelry and metalsmithing.
In 1989, she earned a Bachelor of Arts in Jewelry and Metalwork from Georgia State University; while on break from Georgia State, Wang traveled to Cortona, Italy to study art history and jewelry at the Summer School of Art.
In 1993, she received a Masters of Fine Arts in Jewelry and Light Metal from the Rhode Island School of Design. She has also worked as an exhibit designer for the Atlanta International Museum in Georgia, and the Woods Gerry Gallery in Providence, Rhode Island.
Wang's appetite for combining different techniques, materials, and aesthetics is voracious. Though her creative expression is in the form of jewelry, her designs reflect more of an interest in creating art rather than fashion.
"My work is the meeting and interplay between materials and forms, methods, techniques and literature," she says. Incorporating literature in her designs is not based in abstracts, she does this literally.
Her Paper paper Collection and Paper Pearl Collection highlight inventive contemporary jewelry using newspapers, pages from books, and rice paper.
In her Paper paper Collection pieces of newspaper are shaped into tubular and cylindrical forms, then they are fashioned in an array of other forms like spirals or doughnut shapes suspended from steel cables.
For her Paper Pearl Collection she implements 14-karat gold, sterling silver, and beautiful gemstones including pearls. With these materials, she creates breathtaking, sculptural designs resembling ethereal organisms with multiple pearls attached to thin, limb-like structures protruding from paper cylinders.
Wang also creates stunning tiaras. In one instance, the tier section is made from seemingly flowing strands of sterling silver, while another is composed of tightly packed, stacked paper discs accented with pearls.
Since 2000, galleries from around the globe have exhibited Wang's spectacular jewelry. Exhibitions have been held in the United States, Germany, England, and Taiwan.
In April of this year, Wang's distinctive designs were exhibited in the Smithsonian Craft Show, and she recently completed an exhibition at the Fuller Craft Museum in New England.
Wang served as curator of the Fuller Craft Museum's exhibition, The Sixth Sense: Contemporary Jewelry in Korea. The exhibition ran from January 31 through July 26, 2009, and highlighted the "spiritual and aesthetic" components of Korean jewelry.
"The art of jewelry making and metalwork is growing and has become more prosperous in Korea," Wang says, "This exhibition will provide westerners with an intimate look at the quality of Korean jewelry."
Photo 1 (top center): 14-Karat Gold and Sterling Silver Piece from Furniture for Pearls Collection
Photo 2 (bottom center): 14-Karat Gold and Sterling Silver Necklace with Pearl, Peridot, Carnelian, Amethyst, and Citrine suspended from Steel Cable from Paper Pearl Collection
Tuesday, July 28, 2009
An iconic American actor's name and diamond-in-the-rough screen persona served as the inspiration behind the Austrian jewelry company.
Humphrey® owner Roland Baldaulf believes that screen legend Humphrey Bogart's character in the film Casablanca embodied the company's product standards of timeless, classic designs.
Over 16 years ago, 46-year-old entrepreneur Baldauf contemplated starting a jewelry brand. Knowledgeable about architecture and the metal industry, Baldauf wanted to reinvent jewelry made with stainless steel by offsetting the alloy with precious and semi-precious stones.
In 1995, Baldauf set up a workshop in his cellar and several years later, he set up a factory--in a separate building--using state-of-the-art machinery.
Designer jewelry from the Humphrey® brand is composed primarily of stainless steel. The designs are sleek, minimalist and highlight geometric curves and angles. Though offset with gemstones such as diamonds and sapphires, in most cases the cool, slick polish of the stainless steel is the focal point of the items included in the brand's collections.
Baldauf includes traditional 18-karat, yellow gold designs one of which is composed of a single cable that suspends a magnificent, grey, Akoya pearl. There is a stainless steel necklace named PacMan, which features disc-like structures that resemble the videogame character.
There is also a multi-cable neckpiece featuring a beautiful amethyst stone set in a rectangular, stainless steel pendant necklace. The jewelry brand also includes wrist watches.
Wanting to broaden the company's design scope, in 2007, Baldauf enlisted the aid of German jewelry designer, Norbert Muerrle. Muerrle's expertise in "old-world craftsmanship" helped to further the company's reputation for high quality and excellence.
The Humphrey® brand is sold around the world including Spain, Italy, Austria, the United States, Britain, the Netherlands, and Norway.
Photo 1 (top right): Cable Strand Necklace with Amethyst Set in Stainless Steel Pendant
Photo 2 (bottom left): Angular Cut, Stainless Steel Tension Set Ring with Amethyst
Monday, July 27, 2009
Here we will explore the Vancouver Aquarium Marine Science Center, which is home to a remarkable 30,000 sea creatures including rescued dolphins Spinnaker, Hana, and Helen. Today's feature is the jewelry designing duo of Eve Llyndorah (from Scotland), and Ray Lipovsky (from Canada).
Along some of Vancouver's rocky bluffs overlooking the Georgia Straits sits an idyllic island, which houses the gardens, house, and workshops of designing team Llyndorah and Lipovsky. Within this pure environment creativity and expression flows freely represented by the duo's magnificent, one-of-a-kind fine jewelry.
Though the two jewelry artists hail from different countries, they are kindred spirits joined together by a common interest. Born in Scotland, at a young age Llyndorah moved with her family to Canada. Discovering her skill for artistry early on, she attended the Nova Scotia College of Art and Design, receiving a degree in Fine Arts over 40 years ago.
Looking to expand her knowledge, she traveled to Europe to study goldsmithing with the masters in the field and in 1986, she returned to Canada. Lipovsky pursued many interests around the same time as Llyndorah. His fertile mind absorbed goldsmithing, lapidary (stone cutting), and even science.
In 1969, he moved to the island that would later house his joint company with Llyndorah, and participated in work projects ranging from food processing to construction to jewelry design. Nineteen years ago, a mutual friend of the goldsmiths introduced them. Immediately drawn to each other's intrinsic gifts, and years of improving their artistry, they worked out plans to establish their company, Llyndorah Design.
By pooling together their exceptional abilities, the duo handcrafts designer jewelry that reflect Asian and Egyptian influences. The gemstones used, including rose quartz, blue moonstone, black onyx, and diamonds, are cut and polished by the artists themselves and are set in either 18- and 24-karat yellow gold.
Many of their brooch pin, necklace, earring, and ring designs are free form, and organic some resembling designs from ancient times. Many items highlight luminous gemstones such as a stunning blue, uncut Lapis stone, which is the focal point of a necklace.
Llyndorah and Lipovsky also pour their creative energy into painting and outdoor sculptures, both highly influenced by Asian artistry. Jewelry from Llyndorah Design are exhibited in galleries in the United States, and Canada.
Photo 1 (top right): 18-karat Gold Garden Party Earrings with Freshwater Pearls, Chrysoprase Cabochons, and Diamonds Photo 2 (bottom left): 18-Karat Yellow Gold Treasure of Dulcinia Brooch Pin with Leaf Design in 24-Karat Gold, and Rose Quartz, Black Onyx, and Diamonds
Saturday, July 25, 2009
Presently living in New York, as a child Ferlise accompanied her mother on frequent excursions to the St. Louis department store, Famous Barr.
There Ferlise would stare wide-eyed at the costume jewelry displays full of glistening stones and gold-plated metals.
Dazzled by the finery she beheld, particularly the bangle bracelets, there was no question what career path she would pursue. You could say that jewelry was in her DNA.
When her family relocated to Providence, Rhode Island, her father opened a jewelry factory. "I spent many summers helping my father and started to create my own pieces and design at a very early age," she says.
By 2001, Ferlise's love and fascination with well-crafted baubles culminated once she had children of her own. "It wasn't until my two daughters, Alex and Ani, were born when I decided I wanted to leave a legacy for them and branched off to start my own jewelry company." A company she lovingly named for her two eldest children.
The key focus behind her jewelry is awakening humanity's fundamental need to connect with others and their environment. She uses timeless symbols, such as her Om Pendant, Peace Sign Necklace, and Heart Pendant Necklace, and fashioning them with recycled 18-karat gold vermeil, and sterling silver offset with enameling details.
She chooses specific symbols for their inherent capacity to inspire, "What symbols really do--especially when you wear them--is speak to your conscious, and to your subconscious. When other people see that symbol, it resonates."
Ferlise's signature item gives a wink and a nod to her childhood fixation, bangle bracelets. She adorns them with stones, wood, feathers, and mother of pearl. She also created an innovative sliding mechanism that allows her bangles to expand for a precise fit.
Exotic plumes are integral to many of her earring designs, "Our feathers come from a local distributor and are gathered after naturally falling off birds. No birds are harmed in this process," she emphasizes.
The most important of Ferlise's collections is Charity by Design. In this collection, she designed the limited edition Charm 4 Life Bangle, the Mother Earth Collection, the Tree of Life Expandable Bangle, and the Rock Crystal Wire Bangle to benefit corresponding charities: Merck & Co., the Tonic Foundation, African Rainforest Conservancy, and Stand Up 2 Cancer. "Charity by Design is the heart and soul of Alex and Ani, and it continues to grow," she enthuses.
Alex and Ani is sold at Bergdorf Goodman, Saks Fifth Avenue, Neiman Marcus, and Fred Segal; and online at BlueFly.com, and ShopBop.com among others.
Magazine layouts that feature Ferlise's eco-conscious, charm jewelry include Women's Wear Daily, Cosmopolitan, Ocean Drive, and Elle. Celebrities including Oprah Winfrey, Cameron Diaz, Jessica Simpson, and Vanessa Hudgens wear her uplifting pieces.
For more on Ferlise's charity efforts, click here.
Photo 1 (top right): Jessica Simpson wearing Alex and Ani Bangle Bangle Bracelets
Photo 2 (bottom left): Large Phoenix Feather Earrings from the Earth Sultry Collection
Friday, July 24, 2009
Balabin's venture into jewelry design began 30 years ago when he studied with jewelry artist Tatjana Aleksejeva in her studio.
Three years later, he switched gears, to some degree, by studying architecture at Rupin Institute's Academy of Fine Arts in St. Petersburg, Russia. While attending Rupin Institute, Balabin met and married Finland native, Melitina, and upon graduation, they moved to his bride's hometown of Lappeenranta, Finland where they both currently reside.
Having situated himself in his adoptive country, Balabin initially gained employment in an architect's office; but jewelry design was never far from his mind. "I never forgot my first studies and in a way jewelry is architecture on a small scale." He then retread familiar territory by attending Finland's College of Crafts and Design.
He was struck by the contrasting teaching techniques of Russian and Finnish instructors, particularly in the way his Finnish instructors wanted students to take a cognitive approach to design.
"Here in Finland they tried to teach us to think why we do things, and how simple objects could be. I started to understand how simply things can be made, and still have beauty." He obtained a diploma for jewelry and stonework design in 1996, and set up his studio not long after.
Balabin's creations are simplistic yet unconventional and abstract in their presentation. He approaches art and design from two alternate positions, objective and subjective. In some instances, he creates items with their function in mind, while other times he creates purely for the artistic impact.
His designer jewelry collections represent elusive themes such as memories, line compositions, and space that invites interpretation on the part of those who observe or wear his pieces. He uses gold, sterling silver, wood and, in some cases, allows patina or oxidation to form on the surface of the alloys giving items an aged appearance.
Balabin eagerly and openly explores the connection between "form and surface graphics," by incorporating a 17th century Japanese laminating technique called mokume in some of his designs.
Since 1996, Balabin's avant-garde creations have been featured in both solo and group exhibitions in Russia, Finland, Germany, and Poland.
Photo 1 (top right): Bronze and Patina Reflections Brooch Pin
Photo 2 (bottom left): Silver Ring from Fragility Collection
Thursday, July 23, 2009
It seemed Sukartini always knew she would bring the beauty of Bali sterling silver jewelry to the world. Raised according to Bali custom, she was taught to center her life around God, her husband, and to the greater society.
She dutifully learned to do housework, and how to cook, but by age 16, she wanted to explore other areas in which to honor her Balinese culture.
For three years, she learned about ceramics and batik (a technique used to dye fabric) while attending the school SMIK (Sekolah Menengah Industri Kerajinan).
At age 19, she became an apprentice to a silversmith who specialized in jewelry making. Sukartini instantly recognized the spirituality and connection to God experienced with molding and shaping hot metal into wearable ornaments.
The skills Sukartini acquired were invaluable as she furthered her jewelry making abilities by working with other local silversmiths "to promote Bali's beauty in our own way." Her handmade jewelry designs, made almost exclusively in sterling silver, reflect both traditional and modern aesthetics.
The Dancing Dragon Pendant, for example, highlights a powerful Balinese legend in stunning detail, while the Secret Love Ring highlights the signature design of textured spheres and tendrils.
There are modern, sleek pieces such as the Angel Wings Ring, Geometry Necklace, and Ohh! Earrings (all worn by the pictured model).
Of particular interest to Sukartini is a necklace featuring three, lacy butterflies, called Free as a Butterfly, which represents freedom.
Sukartini does not have a personal website at this time, however, her effortlessly feminine jewelry is featured at Novica.com.
Photo 1 (top right): Sterling Silver Hypnotic Sun Cuff with Carnelian
Photo 2 (bottom left): Sterling Silver Secret Love Ring with Garnet
Wednesday, July 22, 2009
The best word, I feel, to describe Eichenberg's approach to jewelry design is existential. Since I started reading up on jewelry designers, I have noticed what I believe to be a common thread.
Designers create items that are representations of something larger, such as Karen McClintock's (Canada) Ocean Blues Collection, or the spiritual significance of David Weitzman's (Israel) designer jewelry. I also feel that this `larger something' is life, in all its forms, and jewelry designers set out to speak to its scope through their creative expression.
Eichenberg takes her designs to a different level that draws you in to the lives of those who are no longer with us and their connection to those now living. She does not approach this in the way as say Ilias Lalaounis (Greece) does, or Gurhan Orhan (Turkey).
Her approach does not involve a beauty aesthetic, but rather a literal representation of a part of history or a literal take on a concept. Where Lalaounis and Orhan draw from the expertise of ancient metalworkers who designed for royalty and nobility, Eichenberg takes on the labor and idealism of 19th century immigrants working in the United States.
A graduate of Amsterdam's Gerrit Rietveld Academy, Eichenberg has worked as a curator, independent artist, and educator. In 2001, she accepted the position of department head for her alma mater's Jewelry Department.
Upon viewing a hodge podge of items stored in the vaults of New York's Tenement Museum, Eichenberg was moved to design pieces of jewelry that reflected the myriad of lives that came to the U.S.A with hopes and dreams.
She learned that many immigrants worked with their hands making clothes, knitting, or making leatherwork. An item that Eichenberg frequently came across in the museum's vaults is what is known as a chatelaine.
A chatelaine is "a cord worn by women at the waist to carry a purse or a bunch of keys," it was also used by artisans to carry tools. Eichenberg found the importance of this item to their livelihood intriguing. They had a need for these keys to literally open doors to new experiences, and they needed their hands to provide the way to those experiences through their work.
She began to visualize the symbolic connection between the hand and the key: the ability for both to open and close, and forge interaction. From this moment, Eichenberg explored the connection of the lives of early immigrants to the lives of today's immigrants; ultimately blending timelines in her jewelry representations.
Her designs, made with the materials of the period copper, silver, leather, wool, wood, tweed, Bakelite, porcelain, and brass, are unstructured and abstract leaving one to ponder the profound meaning in them.
Her pieces will definitely strike up conversations akin to those stirred up observing modern art. Eichenberg's aesthetic is unquestionably bold, original, and complex.
She is currently living in Bloomfield Hills, Michigan serving as Department Head of Cranbrook Academy of Art's Metalsmithing Department.
For 15 years, her work has been featured extensively in exhibitions around the world including Switzerland, Italy, Indonesia, Portugal, United Kingdom, New York, and Spain. She received the Gerrit Rietveld Academy Award in 1994 and the Herbert Hofmann Prize in 1999.
For more of Eichenberg's designs, click on one, or all, of the following:
Tenement Chatelaine made from silver, brass, bamboo, coral, and leather
Weiss Brooch made from beads, porcelain, and silver
Photo 1 (top right): Leather, Silver, and Branch Testament Necklace
Photo 2 (bottom left): Wood, Leather, and Copper Chatelaine
Tuesday, July 21, 2009
An advertising graduate, Cätao takes a decidedly different approach to her designs. There is still the distinctive Latin flair characterized bythe love of textures like faux snakeskin, wood, and beads; however Cätao opts for a more understated aesthetic overall.
Cätao began her company six years ago, and her design approach stems from the belief that everything related with fashion and beauty possesses inherent grace. She also believes beauty exists in the minute details of everything that surrounds us, most of which, she feels, we do not initially take notice.
With this approach, Cätao creates quiet, elegant designer jewelry that "comes in small or large details" and engages the observer through the polish of its metals, the shimmering hues of gemstones, the beauty of wood and the whimsy of charm bracelets.
Her elegant gold bracelets, for instance, were designed with kings and queens in mind. The sculptural and geometric details highlight the alloys used, while the clean designs of some of her pendants highlight the beauty of carved, Brazilian gemstones.
Cätao keeps busy in her atelier by adding new items to her collection each week. She also designs hair accessories, belts, handbags, and key chains.
Photo 1 (top right): Gold Finished Drop Earrings with Resin Beads
Photo 2 (bottom left): Seed Cord Bracelet with Crystals
Monday, July 20, 2009
Viewing McClintock's organic, custom jewelry brings to mind a flesh and blood embodiment of Mother Nature creating her baubles at will. Therefore, it comes as no surprise that McClintock's color combinations and stone selections are inspired by nature's palette.
"I mix colors that I would not initially consider but seem to work beautifully in nature," she says. Like Devon Leigh Sedlacek (USA), McClintock loves the rich hues, and rawness of semi-precious stones such as Red Fossil Coral, and chalcedony.
The monikers of her designer jewelry collections, like Old Quebec, and South of France, reflect her travels, while Forest Splendor and Ocean Blues reflect her fascination with nature's outstanding magnificence. Her gemstone jewelry is textured, unique and each collection has its own personality.
McClintock's career began in an unassuming manner; she knew nothing about jewelry design, or so she thought. There was a ripe, untapped side of her waiting to come out. Preparing for a garage sell, she saw some old necklaces and felt the need to improve them. She did and the necklaces were a hit.
From there her interest to learn more peaked, but only as a hobby. She set out to the craft department of Wal-mart and bought "stretchy string" at the suggestion of a store clerk.
A more informed friend of McClintock's, however, steered her in the direction of more substantial items like crimp beads and jewelry wire. She then began to add Swarovski Crystals, sterling silver, Mother-of-Pearl and antique Canadian coins.
At her friend's prompting, she gradually began to consider turning her hobby into a business. Once the manager of a successful consignment shop, called Déjà New, McClintock was a stay-at-home mom of a blended family and she was looking for something she could do that worked with her unusual home life.
"I'm only in the city every second week and we travel every week, so I was kind of feeling like `What am I going to do?' I can't just clean house and shop because that's not me." She sold her first necklace to an admirer attending a water skiing tournament.
In 2005, she contacted Marlene Shepherd, the owner of a Canadian high-end garment store called Rideau Centre, to set up a meeting for Shepherd to view her beautiful creations. McClintock's uncanny ability to combine color and texture won Shepherd over immediately, and in 2006, she officially launched her jewelry line in six of Canadian retailer Holt Renfrow's 12 locations.
McClintock's easygoing personality and fearless approach to challenges lends itself to creating varied, original, custom designed jewelry. Recalling one of her customer requests, she says, "The buyer told me what she'd like to see and I did exactly that."
This aptitude led to McClintock's color-coded Bridal Jewelry Collection, "What makes my pieces unique is both the richness of colors and the styles that can be worn long after the wedding or celebrations."
McClintock has offered her beautiful handmade jewelry designs for inclusion in a book entitled "Our Lasting Legacy." The book features spectacular photographs of Canadian landscapes photographed by Canadian photographer Michelle Valberg, along with photos of distinguished Canadian women including Jann Arden, Linda Lundstrom, and the Right Honorable Michaella Jean Governor General of Canada; each adorned in McClintock's boho-chic jewelry.
The book serves as a potent environmental message and is scheduled for release this year. Profits from the book will be donated to post-secondary institutions for grants and scholarships in the field of environmental studies.
Photo 1 (top right): Gemstone Earrings, Gemstone Necklace, and Gemstone Bracelet from Ocean Blues Collection
Photo 2 (bottom left): Sterling Chandelier Earrings with Red Crystal Cubic Zirconia from The Reds Bridal Jewelry Collection
Saturday, July 18, 2009
Once you see Tarantino's fuschia-colored tresses (she dyed her hair some years back) you clearly comprehend her sense of adventure, fun, and whimsy.
Her bright, upbeat, candy-like jewelry is a grand celebration of childhood, or more specifically girlhood. Her vividly colored, chunky designs pay homage to the little girl within or more aptly, Tarantino's own childhood memories.
At age three, Tarantino's mother surprised her with a gift of colorful Fimo® Clay. "I immediately made a ring, necklace, and pin. I would play like my room was a jewelry store and sell my pieces to my parents. I always dreamt that someday I would make sparkly things as my job."
Tarantino continued her love affair with creating "sparkly things" through her teens, and as a young adult working as a fashion model in Paris. After photo shoots, she would make pieces from polymer clay, and glass beads and crystals she collected at flea markets. She wore her creations during fashion shoots only to leave the shoots without them; her co-workers had purchased them.
In a few years, she left her modeling career to pursue freelance work as a make-up artist in addition to a part-time retail artist position with MAC Cosmetics. Tarantino initially loved her retail artist position, but difficult customers and personality clashes with co-workers proved very trying.
"I was walking home from work to my nearby apartment thinking about quitting and I realized that it was not the job that was bad, it was my attitude. I decided to have a happy attitude no matter what the day would bring."
Again, Tarantino wore her handmade jewelry designs to work only for her co-workers and customers to buy them right off her. Tarantino's husband, Alfonso was instrumental to what happened next.
Alfonso then took some pieces to Fred Segal and Jennifer Kaufman returning home with "a $5,000 order from Fred Segal," Tarantino says. "This company wouldn't have happened if it weren't for him."
A little over 10 years later, Tarantino's effervescent collections are sold from her showroom on Melrose Avenue to a wide array of individuals including Pink, Katy Perry, Heidi Klum, Ashlee Simpson, and Hilary Duff.
Several of her collections, made primarily with richly hued Swarovski Crystals, carved Lucite, glass beads, and wood, feature the most iconic childhood images around like Alice in Wonderland, Barbie and The Wizard of Oz. Her designs make great gifts for that special little girl, even when she is not a little girl anymore.
The sense of nostalgia I felt observing her line made me a little misty-eyed for the more carefree moments of childhood. I really love the sense of "sparkle" and vitality that permeates all of her collections.
For more on Tarantino, watch author, screenwriter and actor Clint Catalyst's YouTube interview below:
Photo 1 (top right): Sparklicity Lucite Pearl Cuff Bracelet
Friday, July 17, 2009
Suriano's design approach clearly reveals the duality living within the designer, a light, ethereal quality, and a bold, uninhibited side. Her creations are without a doubt beautiful and feminine, yet many are extravagant and dramatic.
Suriano's acute interests in all manner of designing from fashion to architecture led her to study industrial design at Sydney's University of Technology.
Upon earning her degree, she moved to Milan, Italy and over a number of years designed products for an eclectic list of clients including Swatch, Alessi, Olivetti, Fisher Price, and Mattel. Over time, Suriano wanted to explore other inclinations, and moved to London where she developed her first designer jewelry collection.
Recognizing that Suriano shared a similar design aesthetic, London jewelers Karen Erickson and Vicki Beamon, of Erickson Beamon, immediately employed Suriano to design for their company. Three years later, in 2001, Suriano returned to Sydney and officially launched her label, Sarina Suriano.
As part of her jewelry collections, Suriano creates provocative jewelry couture reminiscent of the costumes worn by Josephine Baker during her heyday.
The couture items, made with vibrantly colored beads, and semi-precious gemstones, possess the same unbridled sensuality as the costumes designed for Baker.
Suriano's avant-garde style has delighted many in the industry and she is the first jewelry designer to appear at Australian Fashion Week.
Her elaborate, handmade jewelry designs, jewelry couture, and headpieces have been featured in the pages of InStyle, Oyster, Culture Magazine, Good Living, Vogue, and Harper's Bazaar.
Currently living in London, Suriano also works as a freelance consultant, and designs for several companies in Europe.
Photo 1 (top right): Model Wears Jewelry Couture from the Oasis Collection
Thursday, July 16, 2009
Salomon's energetic personality reminds me of Wendy Culpepper (USA), and Salomon shares an equally focused, definitive approach to designing. What is of utmost importance to Salomon? "Refinement and elegance," she says, "but certainly never, ever anything flashy."
A graduate of France's National Institute of Gemology (NIG), Salomon loved the recreational aspect of her studies and did not initially consider jewelry design as a career.
However, her creative energies became acute by the time she graduated, and her appreciation for gemstones had grown deeper particularly for diamonds, "They represent eternity. They are so symbolic. They really do provide the most magnificent backgrounds with which to show off a beautiful ruby or sapphire," she says.
Salomon spent several years working for some of France's most prestigious jewelry companies, but she later chose to pave her own road. In 2004, Salomon opened her workshop in the ninth arrondissement (administrative division) of Paris, which is home to the 10-story department store Galeries Lafayette.
She was also 8 months pregnant at the time with son, Max. "my 5-year-old son is undoubtedly my most magnificent creation. He was born into the world of stones and jewelry."
When she is away from her workshop Salomon says that design ideas constantly fill her mind; however, she happily admits that she never completely turns off.
"I am my work. I can't cut off. I will always be looking at what people are wearing so everything, everything is connected in some way to my work."
In the last five years, Salomon's drive has paid off as Middle Eastern and Asian markets eagerly snatch up her designer jewelry, and her staff is four times the size it was when she started. One of Salomon's creations, called Necklace Rivière (River), won the 1998 Diamond International Award.
It is a beautiful, diamond embellished piece set in platinum, and worn as a brooch, belt, and necklace. Unfortunately, I have yet to locate Salomon's website. I was, however, able to find a photo of her Necklace Rivière shown above.
Photo: Necklace Rivière with 58.51 carats of diamonds
Wednesday, July 15, 2009
There is a grand tradition of jewelry making in Mali that rest in the capable hands of the Dogon, Tuareg, and Togolese tribes. Widely known for their finesse, patience, wisdom, and honesty, these tribes have preserved their longstanding knowledge of handmade beaded jewelry with the help of Gologo.
Gologo wholeheartedly embraces the supreme artisanship of these tribes, which are renowned for their masks, sculptures, and sliver and gold jewelry. Their artistry inspires her creativity.
In 2005, she founded her company, Tamacali, where she serves as Creative Director, and employs artisans from all three tribes. She makes certain to provide them with high wages, training, medical services, and daily meals.
Her ambition is to blend traditional and modern aesthetics fashioning gemstones and beads of all colors, sterling silver, bronze, leather, and ebony into vibrant designer jewelry that embellishes the glow of assorted skin tones.
With her team of artisans, Gologo created seven collections that are a feast for the eye. Exploding with vivid colors and sleek, geometric shapes, her flowing strands of beads possess a regal type of elegance and beauty. Her company also submits its time-honored designs to The Hunger Site.
Photo 1 (top right): Red and Yellow Lucky 7 Handbeaded Necklaces
Photo 2 (bottom left): Model is wearing Multi-Strand Bead Necklace
Tuesday, July 14, 2009
Shape, structure, and form are three words that come to mind when viewing Riccoboni's creations. A trained goldsmith and former graphic designer, Riccoboni's jewelry is akin to miniature works of modern art.
Having worked with clothing, furniture, and ceramics companies her design approach is free in style and undoubtedly one-of-a-kind. Fascinated with the use of gemstones and metals, she once collaborated with fellow designer Beate Weiss to develop ways of combining precious metal with plastic.
Riccoboni's diverse collections reflect her fearless, innovative spirit. To honor String Nadir, who saved over 2,000 jewelry making molds from the Angelo Tovo Company after it closed down, Riccoboni used the same molds to design the aptly named Nadir Collection. The collection features imprinted metal discs, some alone while others are linked together. There is a wonderful archaic aspect in the embossed detailing.
She flawlessly connects, and intertwines what seems like endless small plates of silver and gold in her Alphabet Collection; an interpretation of the rhythm of writing and emotion contained in written words.
Lastly, there is the Venice Collection wherein Riccoboni brings together ancient history with a modern aesthetic (some of the designs in this collection appear to be graphics and not jewelry).
Since 1981 exhibitions of Riccoboni's contemporary jewelry designs have been held in Italy, Spain, France, and Germany.
Photo 1 (top right): Coral Colored Necklace from the Alphabet Collection
Photo 2 (bottom left): Gold Disc Necklace from the Venice Collection
Monday, July 13, 2009
If you'd like some information about making jewelry with wire, then take a look-see at About.com's numerous articles on the subject.
Maybe you have been tossing around the idea of starting a handmade jewelry business. In that case, you would be interested in Rena Klingenberg's blog about getting one started at Home-Jewelry-Business-Success-Tips.com.
For those of you who would prefer to peruse affordable jewelry instead, you can buy jewlry online fromTwistonline.com's Cheap Chic selection or ShopStyle.com.
If you're interested in vintage jewelry be sure to visit RubyLane.com to view its sprawling collection. RubyLane.com was established in 1998 by Tom Johnson and Jim Wilcoxson in order to cater to antiques and collectibles. For additional information, click here.
Well, that is the scoop for this month's Splendor Sidebar.
Venezuela's most famous beach, the Playa El Agua boasts plenty of fun things to do including para-sailing and, for those extreme types, bungee jumping. Venezuela is also the birthplace of featured jewelry designer Amaloa Bonvecchio.
Saturday, July 11, 2009
Originally from San Diego, California, Peace began designing and creating jewelry in 2008 after some jewelry pieces she owned broke.
"In order to fix them I bought some basic tools, fixed my things, added new components," she says.
From there she established her company Peace Images, LLC. The twentysomething sociology student, and photographer is incredibly gifted and designs through pure intuition instead of sketching.
Her handmade jewelry designs are bold, imbued with cultural pride, and reflect Peace's love of nature, color, and the personal styles of singers India Arie, Erykah Badu, and Jill Scott. "I often times purchase accessories from discount stores, break them apart to make new, original pieces."
Peace's jewelry is vibrant, sexy, and playful; each item speaking to the impact her surroundings have on her, "I feel everything and put it all into what I make," she says.
She incorporates a variety of materials, such as brass, 22-karat gold, sterling silver, cowhide, chunks of turquoise, freshwater pearls, and jasper to create stunning, original pieces.
Her range of items includes a three-inch long, two-finger brass prowling cougar ring; brass Coffey Necklace and Earrings pay homage to screen siren Pam Grier who portrayed the title character in the 1973 feature film of the same name; eye-catching leaf earrings made with actual leaves, and a playful pendant necklace of Nefertiti wearing headphones.
There are also The Di's Elephant Earrings, inspired by a close friend's fascination with pachyderms that come in sterling silver or brass.
There are Peacock Earrings made with real peacock feathers; Cowrie Shell Earrings hand painted in red, brown and cream; and The Marisas Earrings made with a hand painted Capiz shell overlaid with a hammered, brass disc.
Peace donates a portion of her sales to Thai Freedom House in Thailand, a non-profit organization that assists displaced families in Thailand, refugees from Burma, and Hill Tribe families.
Photo 1 (top right): Brass and Copper Selah Necklace
Photo 2 (center): Sunset Earrings with Brass, Baltic Amber and Comrie Shells
Photo 3 (bottom left): Brass Gold Coast Necklace
Friday, July 10, 2009
A veteran jeweler, 89-year-old Lalaounis has an illustrious career. His love of nature, science, and the ancient civilizations of Europe, including Greece, Asia, and the Americas highly influence his exquisite designs.
A fourth generation jewelry artist, Lalaounis began his career in his 20s overseeing his family's jewelry business, Zolotas.
Constantly looking to expand his jewelry making knowledge, he studied ancient goldsmith techniques such as granulation; the process of crystallizing balls of gold; repoussé, the process of pressing designs into metal; and filigree.
Ten years later, having mastered the techniques, Lalaounis created jewelry reminiscent of centuries-old antiquities from various ancient civilizations.
Within another 10 years, he and his team of artisans, embarked on a full-fledged revival of Greek jewelry by reinventing ancient designs.
In the years to follow, Lalaounis renamed the company Greek Gold-Ilias Lalaounis S.A., and his diverse, exhaustive design approach resulted in thousands of incredible, distinctive designs.
In the early 90s, Lalaounis moved the company's workshops to a newly renovated facility that would also contain a jewelry museum--the only one of its kind in the world--founded by, and named for, Lalaounis.
To date, the museum houses Lalaounis' astonishing collection of 4,000 pieces of gold cuff bracelets, gold necklaces, earrings and micro sculptures. The museum offers educational programs on the art of goldsmithing, annual cultural activities, jewelry design programs, exhibitions, and a children's theater. Accordingly, Lalaounis is the only jeweler elected a member of the French Academy of Fine Arts.
Hollywood has also taken notice of this amazing jeweler. Actor Charlize Theron wore elegant pieces from his collections in the 2008 feature film Hancock.
The selection of Lalaounis' ethereal pieces is so fitting being that Theron's character possessed god-like powers. Lalaounis' fabulous 18-, 20-, and 22-karat gold jewelry is sold around the world in London, Paris, Zurich, Geneva, Tokyo, Hong Kong, and his New York store, Tresor.
Lalaounis' daughters, Katerini, Demetra, Ioanna, and Maria, continue the family tradition by assisting in administrative duties for both the company and the museum. Maria in particular develops new jewelry collections.
Photo 1 (top right): Gold Cuff Bracelet from Africa-Nubia Collection
Photo 2 (center): Gold Necklace from Classical and Hellenistic Collection
Photo 3 (bottom left): Gold Ring from Mincan and Myceneaean Collection
Thursday, July 9, 2009
Patterson's nature-inspired jewelry is remarkable. Her sterling silver renderings of leaf brooch pins, and butterfly pendant necklaces are pure and unfiltered.
A graduate of Unitech, with a Diploma in Craft Design Jewelry, Patterson's detailed designs are so life-like you will think you are looking at the real thing.
She works with numerous materials including resin, Perspex, wood, enamel and silver, and she also loves incorporating an element of surprise in her designs. "I work mainly in sterling silver with moving parts and mechanisms often a feature of my work. I enjoy making work that the wearer can interact with."
The intricacy and detail she captures is extraordinary. Composed of sterling silver and enamel, her feather broochpins look so realistic it is as though they could float delicately to the ground when released. Likewise, she gives her sterling silver and enamel leaf brooch pins the transitional colors that signal the fall season, as well as signs of decay, and insect holes.
Patterson takes it even further with her Specimens Collection featuring bird, and insect brooch pins. "This group of work continues my interest in New Zealand natural history and the overlap between science and art.
At the Auckland Museum I came across some drawers filled with dead birds, I was struck by how little they told me about birds. I am interested in what the static museum display does and doesn't teach us."
I don't believe Patterson has a personal website at this time; however, many galleries exhibit her incredible pieces including Quoil, Fingers, Masterworks Gallery, Statements Gallery, and Form.
Photo 1 (top right): Sterling Silver Pod Necklace
Photo 2 (bottom left): Sterling Silver and Enamel Feather Brooch Pins
Wednesday, July 8, 2009
Gregor's airy jewelry evokes sunshine, and women strolling casually along the beach clothed in sundresses and sandals. I am sure her beautifully structured cuff bracelets are just gorgeous when sunlight hits them!
However, Gregor's pieces come from a heavy emotional place. "My inspiration to create work is to share what has cheered me up and got me through the tough times we all experience in life," she says.
A truly gifted artist, Gregor expresses her creative energy through wall pieces, and functional items like bowls. For her jewelry, Gregor developed a "method of dying and embossing glass quality acrylic, which I call 'fossilized plastic'."
Her remarkable 'fossilized' cuff bracelets are made with actual leaves encased in acrylic plastic. Gregor also adds accents of explosive color like golden yellows, pinks, blues, and greens; the results are captivatingly beautiful.
"I enjoy creating rich surfaces which contain high definition. For the surface pattern, I choose quite ordinary plants and weeds or textiles, using them to create the detailed relief on the surface. Through this method I try to share my appreciation in the beauty of the world around us," she says.
She also creates double-sided necklaces, with one side highlighting a plant motif and the other side displaying "1960s lace." Gregor says this of the pieces, "I wanted them to seem as if they are lined but they can be worn either way so it is like having two necklaces."
Gregor also designs brooch pins, cuff bracelets that feature colorful string encased in acrylic, and handbags.
For three years, numerous exhibitions have featured Gregor's exuberant designer jewelry: the contemporary arts center Arnolfini, European Textiles Network, Royal West of England Academy in Bristol, and the Bovey Tracey Craft Fair.
Photo 1 (top right): Red Sage Hydrangea Pendant Necklace
Photo 2 (bottom left): Black Ginger Roman Cuff Bracelet